What accounts for musicality? Some people are highly skilled and accomplished musicians, while others express no aptitude. A recent correlational study tried to understand why some people are more musically accomplished. A summary of this research appears on the APS website, and the original empirical article appears in the journal Psychological Science.
The researchers used a sample of 310 professional musicians as well as a large sample of twins (which they called "amateur musicians"). The twin sample came "from an existing research project, the Study of Twin Adults: Genes and Environment (STAGE)." The twin sample enabled the researchers to estimate genetic and environmental similarities on musicality.
The participants completed measures of musical aptitude (e.g., tests of their accuracy at pitch and rhythm) and musical achievement (e.g., having performed publicly or won prizes). Researchers also asked each person what age they had started learning music. They asked how many hours per week they'd practiced at different points in their lives. The journalist summarized one of the core results:
By comparing the results from these two independent studies, the researchers were able to show that an earlier start age is associated with musical aptitude, both in amateurs and professional musicians...
Questions for students appear in gray throughout this post:
a) Sketch two scatterplots of this result described in the green quoted text above--one scatterplot for professional musicians and one for amateurs. The x and y axes will be the same on the two scatterplots--be sure to label these carefully. Will your scatterplots show positive or negative relationships?
Now, it might make sense that starting musical training at an earlier age is associated with better musical aptitude simply because of total practice time. That is, people who start training earlier have practiced more hours, and practicing more hours is usually associated with more musical skill. In other words, we might sketch this, third-variable proposal:
According to the study, was total practice time a third variable, explaining why starting age was associated with greater aptitude? Consider this full quote from the journalist's summary:
By comparing the results from these two independent studies, the researchers were able to show that an earlier start age is associated with musical aptitude, both in amateurs and professional musicians, even after controlling for accumulated practice time.
This quote means that even though practice time is usually associated with greater aptitude, this was not the reason why starting earlier was associated with greater aptitude. The results from a regression table might have looked like this:
DV/criterion variable: Musical aptitude
IV/predictor variable: Beta
Age starting musical training -.21**
Total practice time .03
(The betas above are simplified versions of those reported in the original journal article, Table 3, for the musician sample)
Question
b) Write a sentence describing what the beta of -.21** means.
Therefore, it wasn't total practice time that accounted for the benefit of starting musical training early. On to the next explanation:
[The researchers] then evaluated starting age in a manner that accounted for the genetic data from the STAGE study.
The results indicate that genetic factors—possibly related to musical interest and talent—have a substantial influence on the age individuals start music practice and their future musical aptitude. When controlling for familial factors, namely shared genetic and environmental influences, such as a home environment that is steeped in music, there was no additional association between an earlier start age and musicality.
So, in other words, the researchers were proposing this explanation:
And they found results that supported this explanation. The statistical calculations that are used in twin studies are actually beyond the scope of this course and book--so you'll have to trust the researchers here. Suffice it to say that when they controlled for genetic interest or talent, there was no longer an association between age at starting training and musical aptitude.
c) Consider the construct validity of two of this study's variables: Musical aptitude and age at starting training. What questions could you ask to evaluate the construct validity of these measures?
d) Here is a challenge question: In the empirical journal article (Table 2) the researchers reported that the correlation between between total practice hours and musical aptitude in the professional sample was r = .05, while the same association in the amateurs (i.e., the twins) was r = .30. One reason the correlation was weaker in the professional musician sample might have been restriction of range. Sketch two scatterplots--one for each sample but with the same x and y axes--that illustrates how restriction of range might have limited the correlation in the professional musician sample.